Raw wood burls sitting on the table saw in the Riverside workshop
A finished turned burl bowl

the same wood — before the lathe, and after

Riverside Woodworking · Miramichi, NB

Built from
the tree, out.

Bespoke furniture, built-ins, and turned vessels — handcrafted from raw lumber in a one-man shop, for the people who plan on keeping things.

Rough lumber goes in. Heirlooms come out. Nothing in between but sharp tools, patience, and a stubborn refusal to fake it — no stains that lie about the species, no screws where a joint belongs.

Selected Work

Pieces with provenance.

Every project
Corner Writing Desk & Hutch — built-in

Hardwood countertop over pale hardwood cabinetry

Corner Writing Desk & Hutch

Built-in · 2026

A two-tone corner desk — pale cabinetry under a dark hardwood top, built to the room it lives in.

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Fireplace Library Wall — built-in

Built-in

Fireplace Library Wall

2026

Floor-to-ceiling shelving built around a fireplace — measured to the room, scribed to the walls.

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Turned Vessels — Burl Series — turning

Salvaged burls — maple, birch, and whatever the river offers

Turned Vessels — Burl Series

Turning · 2021 — ongoing

Bowls and vessels turned from storm-felled burls — the rawest wood in the shop becomes the most refined.

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Up Close

The parts you’d only
notice up close.

Nobody commissions a mitre joint. But the piece stands or falls on a hundred of them — so this is where the hours go.

A countertop mitre joint being fitted on the bench
— a mitre you could set a level on
Buffet panels clamped during glue-up in the shop
— glue-up — the ten minutes that decide everything
Cabinet carcase and face-frame joinery in progress
— face-frame work, square before it’s pretty

The Workshop Palette

The woods we reach for.

No two boards are the same, but a shop keeps its favourites. These are the species that earn their place here — chosen for how they cut, how they age, and how they hold a joint.

  • 01

    Black Walnut

    Juglans nigra

    Density
    38 lb/ft³
    Janka
    1010 lbf

    Rich chocolate heartwood, stable and forgiving — the wood that makes a piece look serious.

  • 02

    Sugar Maple

    Acer saccharum

    Density
    44 lb/ft³
    Janka
    1450 lbf

    Dense, pale, and hard-wearing. Birdseye and burl figure show up here when the tree has earned it.

  • 03

    Yellow Birch

    Betula alleghaniensis

    Density
    43 lb/ft³
    Janka
    1260 lbf

    New Brunswick's own — tough, fine-grained, and often pulled green from along the river.

  • 04

    Black Cherry

    Prunus serotina

    Density
    35 lb/ft³
    Janka
    950 lbf

    Cuts clean and deepens to a warm amber over decades of light. It ages better than its owner.

  • 05

    White Ash

    Fraxinus americana

    Density
    42 lb/ft³
    Janka
    1320 lbf

    Open-grained and springy — the wood for steam-bending and anything that has to take a load.

  • 06

    Red Oak

    Quercus rubra

    Density
    44 lb/ft³
    Janka
    1290 lbf

    Coarse, strong, and honest. Quartersawn, it throws the ray fleck people pay extra for.

Commissioning

How a commission
works.

  1. Write or call

    Tell me what you’re picturing — or just what the room needs. A photo of the space helps. A sketch on a napkin counts.

  2. We talk it through

    Wood, size, and budget, in plain terms. If a design won’t hold up or won’t be worth the money, I’ll say so.

  3. I draw, you decide

    You get a drawing and a firm quote. Change it until it’s right. Nothing gets cut until you’re sure.

  4. I build it

    One piece at a time, start to finish. Good work takes the time it takes, and I’ll tell you honestly what that is.

How the shop works
Doors under construction in the Riverside workshop

the shop, mid-commission

Have a board, a sketch,
or just a hunch?

The shop takes a limited number of commissions each year, so every piece gets the time it needs. Bring measurements or bring nothing — the first conversation costs nothing and decides everything.

Commission a piece

Replies within two business days.